The design consists of two Japanese acrylic mirrors. Crystals positioned between the mirrors create the illusion of buildings, settlements, and small towns through reflections. In contrast, the plexiglass wall opposite uses curved mirrors and hand-cut fragments on the floor to hint at an industrial landscape.

The lighting mood corresponds to the passing of a day. You’re greeted by the white glow of the morning when you enter the Chamber of Wonder, but the atmosphere morphs into a golden evening as you pass through the space. 

Lee Bul was born in Yeongju, South Korea in 1964. She is considered one of the most prominent Korean artists of her generation. Lee Bul moved away from her academic sculptural roots early on and has explored the formal and conceptual boundaries of fine art through performances and multisensory installations. Since the early 2000s, her work has addressed topics like utopian modernism, the historical avant-garde in art and architecture, and the rise and fall of progressive projects to redesign the world.

Lee Bul’s work is exhibited in major museums and international collections around the world. Her large cast steel tower Aubade V was exhibited at the Venice Biennale in 2019. In 2024, she was responsible for the frequently changing design of the facade of the Metropolitan Museum in New York.